Showing posts with label 1979. Show all posts
Showing posts with label 1979. Show all posts

Thursday, 27 January 2011

Gary Numan Is Visiting OZ.


Ladies and gentlemen, it is with great pleasure today that I announce the dates for Gary Numan's 2011 Australian tour. Yes, the man who helped pioneer electronic music into what it is today is bringing his The Pleasure Principle Tour down under – and you know what that means. You got it – Numan will be performing his 1979 masterpiece The Pleasure Principle in its entirety, plus a special encore with selections from his entire career, from albums such as Replicas and Telekon through to Pure, Jagged, and the soon-to-be-released Splinter. So! Excited yet? As if that weren't enough, Sydney "Aus-electro" masters Severed Heads have been tapped to be the supporting act! How fucking awesome is that?


Here, for your reference, are the dates of his Australia/New Zealand tour. Please note that Severed Heads will not be performing at the Perth and Auckland shows.


12 MAY 2011 – BRISBANE – THE TIVOLI
13 MAY 2011 – SYDNEY – ENMORE THEATRE
14 MAY 2011 – MELBOURNE – FORUM THEATRE
16 MAY 2011 – ADELAIDE – HQ
17 MAY 2011 – PERTH – ASTOR THEATRE
21 MAY 2011 – AUCKLAND – AUCKLAND TOWN HALL

And, if you click here and subscribe to Red Ant Touring, who's promoting the tour, you can get yourself two free Gary Numan downloads, and three free Severed Heads downloads! So, you know, go and do it, already.

See you there, kids. Stay well, and talk to you later! From 1979's Replicas, with Tubeway Army, here is Gary Numan at the Old Grey Whistle Test in London performing "Are Friends Electric?". You can be sure this is going to be huge live. Cheers!

Tuesday, 25 January 2011

Happy Australia Day!


Well, today is Australia Day – and my first one, at that! I've got to give props to my adopted country; everybody has been incredibly warm and inviting for the first four months of my stay. True, the paperwork hasn't gone through all the channels yet, but patience, I'm told, is a virtue. But still – I'm really enjoying it here, and I have been made to feel at home.


That being said, I'd like to showcase some music from the 1986 Richard Lowenstein film Dogs In Space. Set in Richmond, Victoria (an outer suburb of Melbourne), this examination of the 1978 Melbourne punk scene – starring Michael Hutchence of INXS in his first leading role – doesn't, unfortunately, hold much water in the story-telling department. Chockfull of wooden performances, stilted dialogue, and a whole lot of nothing happening throughout its 103 minutes. BUT – and this is a huge 'but' – the music! My gosh, the music gracing the soundtrack, put together by Lowenstein and Ollie Olsen (who was part of the scene back in those days; a member of the post-punk band Whirlywind), is pretty much playing nonstop; so it more than makes up for Hutchence's "acting" (which pretty much amounts to rolling around on the floor in a heroin stupor 75% of the time, all the while "speaking" in hardly anything but barks and grunts). Hutchence: brilliant singer, crap actor. But I digress.
Featuring pulse-quickening tracks by late-'70s acts such as Iggy Pop, Thrush and the Cunts, Primitive Calculators, Ollie Olsen, Gang of Four, Brian Eno, and Boys Next Door (Nick Cave's band before it transmogrified into The Birthday Party), the soundtrack to Dogs In Space is fucking fantastic. And if one is interested in knowing more about the scene personified in the film, one can check out an ABC 1 documentary entitled We're Living On Dog Food, which takes its name from the Iggy Pop track that opens Dogs In Space. So without any further ado, here are some of my favourite tracks from this well-meaning film

First up is "Win/Lose" from Ollie Olsen. I love the bit in the film where he sings it in the main house's living room, backed up only by a tape machine!


Here is "Pumping Ugly Muscle" by Fitzroy-based Primitive Calculators. Some brilliant anger going on in this track, with a lot of cathartic screaming and wailing!


What can one say about a band called Thrush and the Cunts? Great hooks, interesting name. Here is their seminal track from the so-called "little band scene", "Diseases." 


Here's "Shivers" by Boys Next Door, which would then become The Birthday Party. Goddamn, look how young Nick Cave is! And dammit, he makes this song fucking ache.


During the closing moments of the film, where Michael Hutchence's character's girlfriend has been buried (she died of a heroin overdose), we're treated to "Rooms For The Memory," a track written and performed by Ollie Olsen, and sung by Hutchence. This collaboration would result in a short-lived side-project called Max Q – which almost broke up INXS, seeing as Hutchence did the recording behind his band's back.


And last but not least, here's "Endless Sea" by Iggy Pop. Now, I know he's not Australian. However, that being said, this song – which plays in the background while Saskia Post's character has her fatal overdose – so completely works in the movie, I just had to include it. And there you go, as I leave you with Iggy. Have a fantastic Australia Day, people.

Saturday, 27 February 2010

Electro Classic Jukebox: Human League.


Before the pretty, pretty club-land girls Joanne Catherall and Susan Ann Sulley (who, after Martyn Ware and Ian Craig Marsh left to start Heaven 17, created a "new vision" for leader Philip Oakey) joined Human League, there was an entirely different sound that encapsulated the new, experimental style that was seeping through the pores of late '70s England.

Don't get me wrong. While I quite like the post-Reproduction records (Dare is still the darling of the synth-pop world), I still have to say that the exquisitely experimental daring and newness of what they were doing at the time trumps more than a few artists at this time. In an age of Kraftwerk, Gary Numan, glam David Bowie, and Joy Division, this Sheffield band made its mark with an ultimately uncompromising electronic sound, and introduced to us forever the nasal vocals of the one and only Philip.

From 1979's Reproduction, here is the Human League with "Empire State Human."