Gig Review: Gary Numan.

GARY NUMAN

14 MAY 2011

FORUM THEATRE

MELBOURNE, AUSTRALIA

If anybody out there had any doubt whatsoever that without Gary Numan the electronic music landscape would be unrecognizable today – then all that nameless person would have to do to be irrevokably convinced would be to have headed towards and gained entry to Gary Numan his own bad-ass self performing his seminal 1979 album The Pleasure Principle in its entirety; authentically re-constructed, to boot. This is the show I saw on the 14th of May – a soggy autumn Saturday evening, and the excitement level of my fellow attendees was cranked to eleven and beyond.

Opening band Severed Heads, one of the founders of the Australian electronic music scene, came out of self-imposed retirement for the express purpose of supporting this tour. Basically two blokes (one of whom was main man Tom Ellard) on keyboards and a loop machine with a projection screen behind them (on which grotesque computer-generated images seemingly created in the early days of digital graphics played), Severed Heads' sound was all spidery and jittery synths married with a disco drumbeat and bizarre sound effects and vocal distortions. The techno-flavoured music filled the ornately decorated expanse of the Forum Theatre, which was only half-filled with punters, who seemed only slowly to be getting into it. Sadly, it wasn't until their last song that Ellard said, "Well, here it is. The song you've been waiting for us to play," before launching into their best-known track, 1984's "Dead Eyes Opened." Suddenly, everybody on the dance floor began dancing, and the energy level spiked.

At 10.15, Gary Numan came out to play. The Forum was filled to capacity, and as soon as the opening notes of "Airlane" hit the crowd went fucking bonkers. True to promise, not only did he play the entire Pleasure Principle album in its entirety, it was played authentically, meaning there were no "improvements" (as if that's possible) or updated means of playing the music, or "re-mixes" or "re-imaginings." There was Gary and four other blokes on the stage. Four synthesizers. A set of drums. And the euphoria that can only be described by hearing Mr Numan and company play live one of the most important albums in existence period.


I'm telling you: the music was positively alive there in the expanses of the old Forum Theatre. The synths were crisp and exact, the drumming was dynamic and lively, and Numan's voice pierced the darkness with an immediacy and verve; it still resounded and sounded as fresh as it did when the needle first met the grooves of the vinyl way back when I got the album in 1985 as a fourteen-year-old scrawny brat.

The crowd lapped it up, looking as happy and contented as I've ever seen an audience be. There was the general feeling that this was more an event than merely a show; the euphoria was quite infectious and addictive and palpable! Punters held their bottles aloft as they sang along to such infectious classics such as "Conversation" ("WE ARE NOT GODS / AND WE ARE NOT MEN …") and "M.e.," which, being my favourite track off the album, was just freaking brilliant. What's that? Did the crowd go crazy when "Cars" played? You bet your sweet ass they did! And thus did Set #1 come to a close.


Set #2 was selections from the old (namely, 1978's Replicas) and the new (Jagged and Pure mostly). Kicking things off with the chilly and oddly spooky "Down In The Park," the second set of the evening allowed Gary Numan and his merry band of men to express the rockier and more industrial side of Numan's oeuvre. Chunky-ass guitars, heavy beats, and throbbing bass exemplified a rather meta-moment in Numan's show – Numan taking and perfecting a genre of music that owed its very existence to Numan's music in the first place. As my wife C. said to me during "Haunted": "Nine Inch Nails was inspired by him, no?" And we all know the answer to that. 2300 die-hard Numan fans with love and respect in their eyes and movements collectively lost their shit when Numan, bearing a mischievous grin, broke into "Are 'Friends' Electric?"


Damn right, Gary. The world of electronic pop music wouldn't be recognizable today without your prescience and forward-minded assault on the senses we know now as The Pleasure Principle. An absolutely enchanting evening.

setlist

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airlane

metal

m.e.

tracks

observer

conversation

engineers

complex

films

cars

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down in the park

the fall

when the sky bleeds

pure

haunted

everything comes down to this

are 'friends' electric?

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halo

a prayer for the unborn

i die: you die

Gary Numan Is Visiting OZ.

Ladies and gentlemen, it is with great pleasure today that I announce the dates for Gary Numan's 2011 Australian tour. Yes, the man who helped pioneer electronic music into what it is today is bringing his The Pleasure Principle Tour down under – and you know what that means. You got it – Numan will be performing his 1979 masterpiece The Pleasure Principle in its entirety, plus a special encore with selections from his entire career, from albums such as Replicas and Telekon through to Pure, Jagged, and the soon-to-be-released Splinter. So! Excited yet? As if that weren't enough, Sydney "Aus-electro" masters Severed Heads have been tapped to be the supporting act! How fucking awesome is that?


Here, for your reference, are the dates of his Australia/New Zealand tour. Please note that Severed Heads will not be performing at the Perth and Auckland shows.

12 MAY 2011 – BRISBANE – THE TIVOLI

13 MAY 2011 – SYDNEY – ENMORE THEATRE

14 MAY 2011 – MELBOURNE – FORUM THEATRE

16 MAY 2011 – ADELAIDE – HQ

17 MAY 2011 – PERTH – ASTOR THEATRE

21 MAY 2011 – AUCKLAND – AUCKLAND TOWN HALL

And, if you click here and subscribe to Red Ant Touring, who's promoting the tour, you can get yourself two free Gary Numan downloads, and three free Severed Heads downloads! So, you know, go and do it, already.

See you there, kids. Stay well, and talk to you later! From 1979's Replicas, with Tubeway Army, here is Gary Numan at the Old Grey Whistle Test in London performing "Are Friends Electric?". You can be sure this is going to be huge live. Cheers!

Electro Classic Jukebox: Severed Heads.

Hello, all! Sorry I've been so inactive these past few weeks - I've been out and about, investigating new grounds, fertile and action-packed. I'm afraid I've been derelict regarding my blogging duties - it won't happen again! ANYWAY, back to the electro-madness that you all enjoy so very much!

Hailing from good old Sydney, Australia, here is a great example of electronic music that branched out separate from the usual Anglo- and Euro- twig of the electronic tree. Severed Heads sprouted in the year 1979, but they originally went by the name of , and I'm not kidding, Mr and Mrs No Smoking Sign. Apparently, as a joke, they changed their name to the aforementioned Severed Heads and have not felt good about it ever since (really!).

One of the few Australian synth-pop/industrial bands that sprung from the Sydney punk-scene of the late '70s, I think the Severed Heads (Richard Fielding and Andrew Wright) were way ahead of their time, considering the year and the state of their continent at the moment - i.e., how removed from England they were.

But I digress. Here, from 1984, is Severed Heads with their classic track, "Dead Eyes Opened."